#Ambiguously gay duo car ram code#

This particular permutation of Ambiguously Gay has largely become a Broken Trope in domestic media due to contemporary media being more open to depiction of explicitly gay characters, many of whom don't necessarily conform to stereotypes. In modern sociological theory, these characters are described as being 'queer-coded'. For example a male character might lisp, show and have an interest in fashion and musicals, have no apparent interest in the opposite sex, and live in a single-bedroom apartment with one of their 'roommates'. In other cases where the censors may not have permitted any overt implications of homosexual attraction, creators would sometimes deliberately utilize stereotypical traits as a way of Getting Crap Past the Radar and implying a character's homosexuality. Such words may include 'eccentric', 'queer', ' confirmed/lifelong bachelor' or other words that can just as easily mean their conventional definitions without subtext, hence why it's ambiguous.

#Ambiguously gay duo car ram code#

In many old films, characters were often given descriptions that may be perceived as code words for 'gay'.

This trope has taken slightly different forms throughout the past due to differences in censorship and what was permissible in the media. The ambiguity can range all the way from from blink-and-you'll-miss-it implications to all-but-confirmed. Yes, this character is Ambiguously Gay-they display much onscreen evidence of exclusive same-gender attraction, but nothing is ever explicitly confirmed one way or another. The character's sexuality is simply never made clear within the work. Other characters in the work may even question exactly which way this character swings, but never get an answer. Fanservice, this character hardly bats an eye, but he seems quite interested in what the Walking Shirtless Scene is doing. Or when the other male characters ogle the resident Ms. Perhaps you have a male character who is visibly touch-feely towards another male character, while being similarly open in rejecting the advances of any female characters who come his way. In the face of congressional inquiry, the comic industry would launch the self-regulation system the Comics Code Authority while Edmond Hamilton and Sheldon Moldoff would introduce the original Batwoman Kathy Kane in 1956's Detective Comics #233 under editorial direction to downplay concerns over Wertham's accusations about Batman and Robin's relationship.- 'The Ambiguously Gay Duo' Theme Song from Saturday Night Live

According to him, scenes that show Bruce Wayne and Dick Grayson in bed next to each other - like the below panel from 1954's Batman #84 by David Vern Reed and Sheldon Moldoff - quietly influenced the nation's impressionable youth. While violent or gory horror and crime comics felt the bulk of his ire, he argued that comics like Batman featured a homosexual subtext between Bruce Wayne and Dick Grayson. In his 1954 book, Seduction of the Innocent, psychiatrist Doctor Frederic Wertham launched a national firestorm over what could he saw as objectionable content in comics books, which he linked to juvenile delinquency. While this may seem innocuous on its surface, it's a huge step for a franchise that took pains to turn away from hints of male homosexuality for decades.